Throughout
this story Lahiri presents a fictional family who depicts the real world
implications of living in a new society without letting their cultural values
and traditions fade. Such motif highlights the characters self-identity crisis.
Lilia’s family and Mr. Pirzada attempt to safeguard their identity by resorting
to obtaining information of their native countries, and eating traditional
dishes.
The family’s struggle with the preservation
of their cultural identity is mainly portrayed through Lilia and the education
she receives. For example the author notes, “ ‘Is this book a part of your
report, Lilia?’ ‘No, Mrs, Kenyon.’ ‘Then I see no reason to consult it,’ she
said, replacing it in the slim gap on the shelf, ‘Do you?’ “(Lahiri, 33). In
the new culture they reside in, the Pakistani-Indian conflict was of no
relevance. The teachers focused on indoctrinating the students with the history
of America, nothing else was important. When the history of their ethnic
background isn’t taught to an individual they will forget it. For this reason,
Lilia has to research her country’s information by herself, and her parents
have to watch the news to be close to home. The family also protects their
cultural identity by engaging in a special form of eating and dining. For
example when the author writes, “After the television was shut off, and the
dishes washed and dried, they joked and told stories, and dipped biscuits in
their tea” (Lahiri,34). To the protagonists, eating is a form of connecting with
their heritage, forgetting about their problems and the cruelty of being away
from home. To Lilia’s family and Mr. Pirzada dining was reminiscent of their
home country, as they ate traditional foods, and engaged in activities with
people of a similar background. As seen through the actions of her characters, Lahiri’s
literature is thematically influence by the struggle of maintaining one’s
culture upon adversity.
Lahiri, Jhumpa. "When MR. Pirzada
Came To Dine." Interpreter of Maladies. Boston: Houghton Mifflin,
1999. 23-42. Print.
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