In
this journal Davis analyzes Danticat’s Krik?Krak!,
and how the oral narrative in her literature develops the identities of her
characters, cultural and historical background.
The author portrays how Danticat’s application of the “short story cycle”
allows her to present stories portraying the individuality of the characters
yet at the same time presenting the community’s impact on the work. Davis
states that the short story cycle allows Danticat’s work to be both independent
and interdependent.
To analyze and present this concept to the audience Davis
views the stories from Krik?Krak!,
the themes, and subjects handled throughout them and presents other’s scholars
opinion of the literature. Davis observes that Danticat’s work replicates
storytelling, and through this storytelling Walter Ong argues she creates a
sense of unity with her readers. Another expert, Sarah Hardy argues that
Danticat’s spoken narratives and short story cycle allow for the creation of
different stories with an analogous theme that immerge the reader in a Haitian
story sharing tradition. Davis highlights that the immersion of factual events
of Haitian history and traditions heals and maintains links of the present with
the past. This can be seen in many stories, such as “Nineteen thirty-seven”,
“Children of the Sea”, “A wall of Fire rising” and “Women Like US”, Davis
argues. Throughout these stories Danticat presents the traditions of Haitians,
such as verbal games. These verbal games entertained them in times of
suffering, and portrayed how they were a unity, as only they knew those verbal
games, as is the case in the interchange of word when Jacquelyne sees Josephine
in “Nineteen Thirty-Seven”. Another
tradition that is kept in Danticat’s writing is that mother-daughter bond which
collectivized linking all women together, Davis highlights. Due to the
employment of the short story cycle recurring images and themes are presented,
such as the butterfly, wish of flight/escape, and death of infants/innocence.
These themes represent the historical facts and events of the Haitian people;
they look for reconciliation after losing their identity and even after death.
Davis concludes that the short story cycle presented by
Danticat unites the reader with Haitian history. Due to the repetition of themes
and oral narrative the tribulations and plight of Haitians is clearly depicted
as they attempt to transform and grow. This journal helps me understand how to
execute a literary analysis in a different manner.
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